Artist Research-informing my practical ideas and developing my artworks/designs

The food for thought unit was based on artist research, learning about the different art movements across history, gallery visits, retrieving primary and secondary information and creating transcription pieces… All are which written about in previous blog posts, here are some photos from this unit

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My last practical task done for this unit, I set a mini project for myself which was to do a mini response to one of Elleri Mills is pieces. Which my eyes were instantly drawn to. With Elleri Mills is work it was based on landscapes in India, so for my piece I decided to base it off a photograph of a landscape I took back in September when i was on holiday in Cyprus. Which is shown below

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For my piece I decided to focus on colour and the use of different kind of stitching instead of getting an accurate landscape. I hand dyed the fabric which I really enjoyed doing and I really let myself go in this mini project I did. Here is the finished result

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And to close up this unit we had to write a comparison of two artworks of are choice: I decided to choose the Woman at the Window do to the extensive research I had previously done and the Weeping Woman also by Picasso. I decided to go for both pieces by Pablo Picasso because I knew there was plenty of information about Picasso and the pieces online. Weeping Woman 1937 by Pablo Picasso 1881-1973After researching the weeping woman I was amazed at how one pieces of art had so much background and story to it and has made me look at the piece of art in a completely different way . The piece was Pablo Picasso’s response to the bombing of Guernica. When writing are comparison we had to consider each element of both pieces the colours,expression,meaning, shapes, shadow. We also had to consider the differences between both pieces…

Drawing a conclusion to the food for thought unit- artist research 🙂

 

 

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My finished transcription piece- Pablo Picasso Woman at the window

Yesterday we were given all day to complete are A1 transcription piece. Here is a photo graph taken of my transcription piece

For this piece, I was unsure about what media to use as the piece I had chosen was a print and I felt like from the previous print I had done of Picasso work didn’t give the finish I wanted. I eventually came to the discussion that I was going to mix using oil pastels, chalk, charcoal, white paint, off white paint and pencil…

To begin with I painted the A1 piece of paper with the off white and white paint to create an oldish looking effect to the paper. I decided to do a rough sketch up on the paper the outline of my idea (my dad drawn from three different angles.) I then went in with oil pastels to create the thick black lines the same style as Picasso used in the pieces blending the off white background and the black oil pastels with chalk it got rid of the sharpness of the white, I saw how blending these two materials together revealed a ribbed texture of the paper which was a nice surprised, still keeping peeks of white beaming through the black like what was done in Picasso’s pieces. After adding the black,grey and white I felt like something was missing… before creating the A1 pieces I created three mini versions of the pieces each slightly different from the each other. I tested colour with the three ‘mini versions’ of the A1 pieces and i liked the bold red colour i used but i felt it would have been slightly to extreme to create the full A1 in red. I thought the splash of red colour was the thing i was missing in the pieces, adding the red to the main points of the pieces.  I’m pretty with the outcome of the pieces, I maybe should have add more to the background due to the way i feel like it’s missing something, I’m going to consider this and maybe i will continue to develop this in the near future.

I asked my dad what his view of the pieces was and he just smiled and laughed so I take that as he liked it 🙂

Exciting Upcoming artist- Artistiaid Cyffroes y Dyfodol

For today’s task we were asked to team up in pairs and to interview each-other. I was lucky to enough to get to interview young and inspiring welsh artists, Erin Williams

Together we came up with 8 different questions to ask each other. Here is the interview:

Hello Erin im grateful that you agreed to take part in this interview. The first question What sparked your interest in art? (Beth a danios each diddordeb mewn celf?)

Well, cychwynnodd fy diddordeb mewn celf yn nol yn mlwyddyn 3, am fy mod wedi cael athrawes celf anhygol or ene Mrs Parry, dysgais llawer iawn ganddi fel ddim i fod yn  ovn i drion pethau a deunyddiau newydd. Roedden ni’n creu llawer o waith 3D efo athro amcan y dasg oedd bod mor ddychmygol â meddwl allan o’r bocs oeddan ni yn gelly fod.Efo Mrs Parry creuon ni hunan portread i anfon i griw celf.Rwyf yn ddiolchgar iawn i Mrs Parry

Pa ddeunyddiau ydych chi’n hoffi gweithio efo? (Which material do you prefer working with?)

I fod yn hollol onest rwyf yn hoff o bob mathau o ddeunyddiau gwahanol. Ond os dwi’n gorfod dewis un gweithio efo deunyddiau 3D yw’r un rwyf yn mynd i ddewis. Rwyf yn hoff o ddefnyddio pinnau ffelt enw ‘pro markers’ i greu darluniadau o bobl neu anifeiliaid, rwy’n hoff iawn o allu cymysgu tonyddiaeth rhwng lliwiau gwahanol, creu cysgodion a chreu lluniau realistig ond hefyd yn semi abstract

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Here is a picture of Erin’s 3D work

 

Beth yw eich cefndir? (What is your background?)

Rwyf wedi byw yng Nghriccieth er 2008-am drost 10 mlynedd. Yn ysgol gynradd roedd fy ffrindiau a fi yn chwarae gemau siop trwsio dilladac.Rwyf wedi gweithion chaled iawn i fod yn berson rwyf ydw heddiw.Rwyf wedi cyferbyn problemau dysgyu. Roedd darllen a mathemateg yn anodd roedd rhaid i mi gael llawer o wersi ychwanegol i helpu gyda hyn. Dwedodd yr athrawes ym mlwyddyn 2 efallai fy mod yn dioddef o anabledd o’r enw discalculia gan fy mod yn cario blaen i ysgrifennu mewn ffordd anghywir ac yn cael trafferth i gyfri ôl o 13 ar bapur. Ond ers hynny, ar ôl dderbyn fy tgau o’r 23 Awst 2018 nesi i basio Saesneg a Mathemateg gyda B a C. Mae nain cofio nol i’r adeg lle roeddwn yn cael trafferth i ddarllen ac mae hi bob amser yn atgoffa beth dwedais wrthi dwi byth give up nain

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Criccieth

 

Beth yw eich hoff waith celf ac oes yna unrhyw waith celf sydd wedi ysbrydoli neu wedi eich dylanwadu? (What is your favourite art piece and is there any piece of work by other artists that inspire you?

Starry Night gan Vincent van Gogh oedd fy ysbrydoliaeth fwyaf pan oeddwn i’n ifanc. Roedd yna gymaint o donyddiaeth a lliwiau gwahanol wedi ei ddefnyddio yn gweithio’n llwyddiannus efo’i gilydd.

 

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Here is Erin’s felting pieces

Sut ydych chi’n teimlo am gymdeithas celf a chrefft yng Ngogledd Cymru? Ydych chi’n credu bod yna ddigon o gyfleoedd o waith yw gal yma? (How do you feel about the art community in wales, do you think there is enough opportunity?) 

Dwi ddim yn meddwl fod yna llawer o gyfleoedd i Gymru dwi’n meddwl fod rhaid symud o leiaf i Gaerdydd i gael cyfle da. Mae yna lawer o artistiaid yng ngogledd Cymru, ond y broblem ydi bod gwaith yn rili anodd yw ffeindio.

Pa fath o sgiliau,themau neu dechnegau ydych chi eisiau yw datblygu yn y dyfodol? (Which skills, themes or techniques do you want to develop in the near future?) 

Rwyf eisiau datblygu ar fy sgiliau graffeg. Dwi’n mwynhau gwneud gwaith ar y cyfrifiadur ond mae photoshop yn un anodd ei ddefnyddio.

Here is a link to Erin’s blog: https://wordpress.com/post/blogcelfadylunioerin.wordpress.com/179

 

 

Pablo Picasso- Woman at the window 1952

After researching art movement we liked as part of Mike’s research skills unit, we had to look into an artist that was part of the art movement which was Cubism and I decided on the artist Pablo Picasso. After focusing on the artist we had chosen we had to choose a pieces from the artist that we liked and I went with Woman at the window 1952. I was drawn to this print straight i liked the abstracted element to it and the fact it isn’t perfect, with the slanted eye.

I found it very interesting researching into the background of this artwork, I found out that the woman in this Gilot was Pablo Picasso’s partner and was used as the subject of his piece which Picasso was known for using his countless partners as his subjects for his paintings/prints. As part of this task we had to analysis the piece of artwork we had chosen

History, summary of piece and methods in making of the woman at the window

Woman at the window piece analysis

I did struggle a little with analysing the pieces because I found it hard to find where to start but eventually did start. Some of my comments are in Welsh.

After completing the artwork pieces breakdown we had to pic out key elements we liked in the picture and then we had to recreate that piece we focused on

image breakdown close up piece

I decided to close up on the face  because that was the first part of the artwork that i was drawn to, due to the dark use of lines on the face with a little spots on the face with white  from where the light hits. I enjoyed this tasks i found it a little difficult to get started on but after i overcame i really enjoyed the task. I then created a full size piece of Picasso pieces both a sketch and a mono print.

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I’m very pleased with how they both turned out, the sketch is unfinished but it is coming along it is quiet difficult to do the hands . I’m supper pleased with how the print has turned out I usually struggle to create prints due to the fact it can be a messy process and if you make a mistake it isn’t easy to remove. For the print i did a dry-point.

The last practical task for the research skills unit was a transcription piece I decided to use my dad as my subject and I drew him from three different profiles. I tried to keep to the use of dark lines and placing the eye centre to mimic Picasso’s style.

Small transcription of Pablo Picasso-Woman at the window 1952

Here is a photography of my sketchbook page of a first draft of my transcription piece, I’m really happy with how it’s turned out I enjoyed this task i found it very freeing where i was able to do mistakes, and go crazy with the end result. Which i don’t normally do i always strive for perfection, that not always achieve able. I’m still yet to finish my Final transcription piece, I will update the blog with the finished piece

Research Skills.

Currently are college class is working on a unit of work called Research skills for are tutor Mike. The first task in the unit was to write down tools and methods we need when doing research

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We discussed as a class what different kind of tools for example local library, Books. And then as a class we discussed methods and there are two types of research method quantitative which focuses more on numbers , for an example surveys and questioners. Whilst qualitative is more focused on the standard of research. Also as a class we discussed about Primary and Secondary research and what is the meaning of them.

  • Primary research is more face to face and find the source yourself for example going to a gallery and talking to the artists like the Ruthin Craft Centre which i have done a recent blog post about.
  • Secondary research – getting information from somebody else for example getting information from the internet or a book.

The last thing we discussed as a class was what was known to be recognised source and what was considered unrecognised .

Task breakdown and unrecognised and recognised source.
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After documenting the class discussion we were given a task breakdown of the day. Which were:

  1. Select an art movement
  2. Research art movement/artist from an unrecognised source
  3. Research art movement/artist from a recognised source
  4. Compare two sources

We were then given a hand out of a BBC guidance internet research. And then we were asked to summarise the hand out.

Summary task

 

Then we were given the rest of the day to complete the task breakdown. The first task breakdown to choose an art movement I decided to go for cubism because after the timeline task I was intrigued by the movement and I had never heard of the movement before I wanted to learn more. For the second task i looked at a couple of bad websites like for an example Wikipedia because the information on the website can be altered by anybody. For my good website source i found the Tate gallery a good website to use because it is updated regularly and the information is provided by experts.

 

Creative life-Jane Parry Lecture

On Thursday day we where kindly invited to a lecture by Jane Parry at the main college. Jane Parry shared here stories and inspiration that has gotten her to were she is today…

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From a young age she visited her first exhibition The scream by Edvard Munch in 1893 this started her fascination with art.

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She studied Fine Art at Liverpool 1991- working with simple elements form and on a large scale, experimenting with yeast, Clay, ash, fluid property of clay

I liked seeing what happened to clay after it was affected by time

She than graduated Liverpool university 1992. And than decide to continue her education but in London at The city and guides ceramics learning technical proses of stone, flu and texture of clay fluid in fired forms. Artist she studied Mark Rothkio and Anton Taples. She was given a 3 month placement in Arnolfini Bristol were she was an assistant art admin, moving on to learning typography.

Mark Rothko- Number 14 1960

By 1995 she joined the BBC become a book designer/project manager. Here are some of Jane Parry’s well-known book covers:

  • Steptoe & Stone
  • The Garden lovers guide to Britain

Not only did she create cover for book she also created covers for television shoes:

  •  Ready steady cook
  • 1998 Looking after JoJo.
  • The vicar of Dibley

Looking after Jojo- Robert Carlyle

After many accomplishments she became a lecturer in Art and Design… teaching photography/experimenting with typography. She decided to take a year off college to visit France for artist research keeping a journal documenting everything. This journal had 60,000 words, turning this journal into a book. Jane Parry’s first book: Lessons in impermanence. A link to Jane Parry’s website :

http://www.janeparry.co.uk

Visiting David & Margaret Frith’s workshop

On Monday 26th November… Whilst being at The Ruthin Craft Centre our college class and I were lucky enough to be able to meet David & Margaret and was kindly invited by David Frith & Margaret Frith to come and see their beautiful workshop. It was a short 20 minute drive from the Craft Centre to the Pottery and Malthouse.

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The workshop is placed on the outskirts of the market town of Denbigh , in the Vale of Clwyd in North Wales. It is built on the banks of a river and a bridge has been connected joining the main workshops to the slip house. There were a Clay storage and kiln sheds in the garden… Several wood kilns and a large and small gas kilns for the firing.

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From the moment I walked in I was amazed with how beautiful and incredible big their workshop and home was. Every were you turned you were greeted by stunning pieces of ceramic from the both artist. From each piece you could tell that they love what they do and have a very strong passion for what they do, which I find absolutely incredible and so inspiring…

 

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David creates large pieces with the potter’s wheel adding his own personal style of hakeme and waxed motifs under a heavy reduction overglazed and combined with the ash surfaces. Margaret works with porcelain making personal pieces decorating them with either a glaze, carving and brushwork.